Claude Opus 5.5 vs Gemini 3.8 Flash

Patchbay is three people in a narrow workshop near the Maas in Rotterdam. Every day we open up instruments that were built before most of their current owners were born. Some arrive in flight cases and some come wrapped in old bath towels. Most have a story: a Juno that went quiet halfway through a gig, a Minimoog left in someone's attic for thirty years, or a modular system that a previous technician gave up on.

We started Patchbay because we kept seeing good synthesizers sent off as "unrepairable" when all they needed was patience, a schematic and a steady hand. We swap out dried capacitors, hunt for intermittent faults, recalibrate oscillators until they track properly again, and source or rebuild parts that stopped being made decades ago.

We don't try to make old machines sound new. Our job is to make them sound like themselves again, and to make sure they keep working for the next person who plays them.

Tucked away in Rotterdam, Patchbay is a three-person repair studio dedicated to the preservation and revival of vintage synthesizers. We believe that classic instruments are living machines rather than museum relics—tools built to inspire, create, and be played loud. Between the three of us, we combine decades of experience in electronics engineering, sound design, and meticulous craftsmanship. Whether tracking down elusive voice chips for an eighties polyphonic giant, rebuilding power supplies, or recalibrating the drift on a cantankerous monophonic circuit from the seventies, we treat every piece of gear with obsessive attention to detail. Our workbench is built on a deep respect for historical engineering and a refusal to cut corners. For musicians, producers, and collectors across the Netherlands and beyond, Patchbay is where forgotten circuits find their current again, keeping the tactile soul of analog synthesis alive and resonant.