Claude Opus 5.5 vs GLM 5.3 Flash

Patchbay is three people in a narrow workshop near the Maas in Rotterdam. Every day we open up instruments that were built before most of their current owners were born. Some arrive in flight cases and some come wrapped in old bath towels. Most have a story: a Juno that went quiet halfway through a gig, a Minimoog left in someone's attic for thirty years, or a modular system that a previous technician gave up on.

We started Patchbay because we kept seeing good synthesizers sent off as "unrepairable" when all they needed was patience, a schematic and a steady hand. We swap out dried capacitors, hunt for intermittent faults, recalibrate oscillators until they track properly again, and source or rebuild parts that stopped being made decades ago.

We don't try to make old machines sound new. Our job is to make them sound like themselves again, and to make sure they keep working for the next person who plays them.

Patchbay began the way most repair shops do: with a broken synth, a stubborn owner, and a soldering iron that refused to stay idle. We're three people—Joris, Marit, and Tomas—working out of a small workshop on the back streets of Rotterdam-Noord, surrounded by oscilloscopes, spare parts, and instruments that sometimes arrive in worse condition than their owners admit.

Between us, we've spent decades repairing and restoring vintage synthesizers: Rolands, Moogs, Korgs, Yamahas, and machines whose manuals were never written in the first place. We don't sell anything. We fix things. That focus keeps us honest and keeps the work slow, careful, and done properly.

We believe old instruments deserve to keep making music, not gather dust in attics or fetch prices only collectors can pay. Whether it's a cracked keybed, a dying power supply, or a voice that's gone quiet, we'd like to help bring it back.