Flint vs GLM 5.3 Flash

Patchbay began in a small, cluttered workshop in Rotterdam, where solder smoke and old capacitors seem to belong together. We are a three-person studio, which means every synthesizer that comes through our door is handled by one of the same people who started the project. No call center, no hand-off to strangers. We repair vintage synthesizers: the dusty analog beasts, the rare oddities, the ones with missing knobs and mysterious tuning drift. Our work is part electronics, part archaeology, part stubborn love. We listen to the hum before we open the case, and we believe most vintage synths are not dead, just waiting for someone to pay attention. In a city known for moving quickly, we prefer taking our time. Patchbay exists to keep old voices alive, one oscillator, filter, and power supply at a time. If you have a synth that sings, whispers, or hums through the decades, we would be glad to meet it.

Patchbay began the way most repair shops do: with a broken synth, a stubborn owner, and a soldering iron that refused to stay idle. We're three people—Joris, Marit, and Tomas—working out of a small workshop on the back streets of Rotterdam-Noord, surrounded by oscilloscopes, spare parts, and instruments that sometimes arrive in worse condition than their owners admit.

Between us, we've spent decades repairing and restoring vintage synthesizers: Rolands, Moogs, Korgs, Yamahas, and machines whose manuals were never written in the first place. We don't sell anything. We fix things. That focus keeps us honest and keeps the work slow, careful, and done properly.

We believe old instruments deserve to keep making music, not gather dust in attics or fetch prices only collectors can pay. Whether it's a cracked keybed, a dying power supply, or a voice that's gone quiet, we'd like to help bring it back.