GLM 5.3 Prime vs GLM 5.3 Flash

Some of the machines we work on were built before any of us were born. Patchbay is a three-person repair studio in Rotterdam, and what we do is simple to describe: we keep vintage synthesizers playing. A Minimoog that sat in an attic for thirty years. A Juno-60 with keys that no longer speak. A modular system that hums where it should roar. Whatever comes through our door gets opened up, traced through, and brought back.

That means rebuilding power supplies, cleaning a thousand key contacts, chasing a fault across three boards until it turns out to be a single cracked solder joint. It means calibrating oscillators that have drifted for decades, and listening — really listening — until a filter sounds the way it did the day it left the factory.

We do this because these instruments still sound like nothing else, and because somewhere a player is waiting to hear one come back to life.

Patchbay began the way most repair shops do: with a broken synth, a stubborn owner, and a soldering iron that refused to stay idle. We're three people—Joris, Marit, and Tomas—working out of a small workshop on the back streets of Rotterdam-Noord, surrounded by oscilloscopes, spare parts, and instruments that sometimes arrive in worse condition than their owners admit.

Between us, we've spent decades repairing and restoring vintage synthesizers: Rolands, Moogs, Korgs, Yamahas, and machines whose manuals were never written in the first place. We don't sell anything. We fix things. That focus keeps us honest and keeps the work slow, careful, and done properly.

We believe old instruments deserve to keep making music, not gather dust in attics or fetch prices only collectors can pay. Whether it's a cracked keybed, a dying power supply, or a voice that's gone quiet, we'd like to help bring it back.