DeepSeek V4.1 Flash vs GLM 5.3
DeepSeek V4.1 Flash took 9 min 16 s and $0.063 at list price, GLM 5.3 took 22 min 22 s and $0.87 at list price. GLM 5.3 took 2.4× as long and cost 14× as much.
DeepSeek V4.1 Flash
DeepSeek · $0.5/M out · 1,482 HN pts
GLM 5.3
Z.ai · $3.6/M out · 3,306 HN pts
Pelican
Generate an SVG of a pelican riding a bicycle
Watch
Draw a mechanical wristwatch that shows the current local time, with a sweeping seconds hand and a date window. Make it look expensive.
Landing
Build the landing page for Lumen Cycles, a Copenhagen workshop that builds custom cargo bikes to order. Make it look like a real brand you would trust with 4,000 euros.
Breakout
Make a Breakout game I can play right now with the keyboard or the mouse. Give it several levels, a score and some juice.
Logo
Design a logo for Night Heron, an independent bookshop that only opens after dark.
About
Write the opening of the About us page for Patchbay, a three-person studio in Rotterdam that repairs vintage synthesizers. About 150 words.
Patchbay is a three-person studio in Rotterdam dedicated to the care, repair, and resurrection of vintage synthesizers. We started in a small workshop near the Maas, surrounded by oscillators, patch cables, and service manuals, because these instruments deserve more than dusty shelves and hasty fixes. Between us, we have decades of experience in electronics, sound design, and restoration, but we approach every machine with the same curiosity: listen first, trace the signal, understand the history, then bring it back to life. Whether it's a crackly filter, a dead voice card, a drifting oscillator, or a power supply that needs rebuilding, we work carefully, honestly, and with respect for original character. We also advise on maintenance, calibrate tuning and envelopes, and source hard-to-find parts when possible. At Patchbay, repair isn't just about making sound again. It's about keeping these instruments making music for decades to come.
Patchbay is a three-person workshop in Rotterdam where vintage synthesizers come back to life. Whatever lands on our bench — a battered Minimoog, a Juno with dead keys, an ARP silent since the eighties — gets the same treatment: careful diagnosis, honest advice, and repairs done right.
We started Patchbay because we believe a good synthesizer shouldn't die of old age. These machines are more than circuits and sliders — they're the sound of records you grew up with, and the reason some of us got into music in the first place. Every one we fix goes back out into the world ready to make more.
Between us we handle everything from recapping and calibration to keybed work and the hunt for parts nobody has made in decades. It's slow, meticulous work, and we like it that way. If something in your collection hums, crackles, or refuses to turn on, bring it in — we'll see what we can do.





