Gemini 3.8 Flash vs GLM 5.3
Gemini 3.8 Flash took 8 min 33 s and $0.32 at list price, GLM 5.3 took 22 min 22 s and $0.34 at list price. GLM 5.3 took 2.6× as long, and both cost about the same.
Gemini 3.8 Flash
Google · $4.13/M out · 1,293 HN pts
GLM 5.3
Z.ai · $1.4/M out · 3,306 HN pts
Pelican
Generate an SVG of a pelican riding a bicycle
Watch
Draw a mechanical wristwatch that shows the current local time, with a sweeping seconds hand and a date window. Make it look expensive.
Landing
Build the landing page for Lumen Cycles, a Copenhagen workshop that builds custom cargo bikes to order. Make it look like a real brand you would trust with 4,000 euros.
Breakout
Make a Breakout game I can play right now with the keyboard or the mouse. Give it several levels, a score and some juice.
Logo
Design a logo for Night Heron, an independent bookshop that only opens after dark.
About
Write the opening of the About us page for Patchbay, a three-person studio in Rotterdam that repairs vintage synthesizers. About 150 words.
Tucked away in Rotterdam, Patchbay is a three-person repair studio dedicated to the preservation and revival of vintage synthesizers. We believe that classic instruments are living machines rather than museum relics—tools built to inspire, create, and be played loud. Between the three of us, we combine decades of experience in electronics engineering, sound design, and meticulous craftsmanship. Whether tracking down elusive voice chips for an eighties polyphonic giant, rebuilding power supplies, or recalibrating the drift on a cantankerous monophonic circuit from the seventies, we treat every piece of gear with obsessive attention to detail. Our workbench is built on a deep respect for historical engineering and a refusal to cut corners. For musicians, producers, and collectors across the Netherlands and beyond, Patchbay is where forgotten circuits find their current again, keeping the tactile soul of analog synthesis alive and resonant.
Patchbay is a three-person workshop in Rotterdam where vintage synthesizers come back to life. Whatever lands on our bench — a battered Minimoog, a Juno with dead keys, an ARP silent since the eighties — gets the same treatment: careful diagnosis, honest advice, and repairs done right.
We started Patchbay because we believe a good synthesizer shouldn't die of old age. These machines are more than circuits and sliders — they're the sound of records you grew up with, and the reason some of us got into music in the first place. Every one we fix goes back out into the world ready to make more.
Between us we handle everything from recapping and calibration to keybed work and the hunt for parts nobody has made in decades. It's slow, meticulous work, and we like it that way. If something in your collection hums, crackles, or refuses to turn on, bring it in — we'll see what we can do.





