Hy4 Preview vs GLM 5.3
Hy4 Preview took 34 min 52 s and $0.29 at list price, GLM 5.3 took 22 min 22 s and $0.87 at list price. Hy4 Preview took 1.6× as long, and GLM 5.3 cost 3.0× as much.
Hy4 Preview
Tencent · $2.25/M out · 440 HN pts
GLM 5.3
Z.ai · $3.6/M out · 3,306 HN pts
Pelican
Generate an SVG of a pelican riding a bicycle
Watch
Draw a mechanical wristwatch that shows the current local time, with a sweeping seconds hand and a date window. Make it look expensive.
Landing
Build the landing page for Lumen Cycles, a Copenhagen workshop that builds custom cargo bikes to order. Make it look like a real brand you would trust with 4,000 euros.
Breakout
Make a Breakout game I can play right now with the keyboard or the mouse. Give it several levels, a score and some juice.
Logo
Design a logo for Night Heron, an independent bookshop that only opens after dark.
About
Write the opening of the About us page for Patchbay, a three-person studio in Rotterdam that repairs vintage synthesizers. About 150 words.
Patchbay is a three-person studio in Rotterdam with a very specific obsession: bringing vintage synthesizers back to life. We are three technicians and musicians who spend our days surrounded by circuit boards, calibration tapes, and the smell of solder, coaxing sound out of machines that have been silent for years. From wobbly oscillators and dead keys to crackling faders and drifting filters, we diagnose, repair, and restore analog instruments with the patience they deserve. Our workshop is stocked with rare spare parts, original service manuals, and a deep archive of hard-won knowledge about classics from Moog, Roland, Sequential, Korg, and ARP. We love these instruments not as museum pieces, but as living tools that still have music in them. Every synthesizer that leaves our bench is tested, played, and calibrated so it feels reliable enough for the stage, the studio, or the late-night jam that inspired it in the first place.
Patchbay is a three-person workshop in Rotterdam where vintage synthesizers come back to life. Whatever lands on our bench — a battered Minimoog, a Juno with dead keys, an ARP silent since the eighties — gets the same treatment: careful diagnosis, honest advice, and repairs done right.
We started Patchbay because we believe a good synthesizer shouldn't die of old age. These machines are more than circuits and sliders — they're the sound of records you grew up with, and the reason some of us got into music in the first place. Every one we fix goes back out into the world ready to make more.
Between us we handle everything from recapping and calibration to keybed work and the hunt for parts nobody has made in decades. It's slow, meticulous work, and we like it that way. If something in your collection hums, crackles, or refuses to turn on, bring it in — we'll see what we can do.





