LFM2.5-24B-A2B vs Claude Opus 5.5
LFM2.5-24B-A2B took 57 s and $0.020 at list price, Claude Opus 5.5 took 10 min 4 s and $1.35 at list price. Claude Opus 5.5 took 11× as long and cost 69× as much.
LFM2.5-24B-A2B
LiquidAI · $0.70/M out · 292 HN pts
Claude Opus 5.5
Anthropic · $20.00/M out · 2,737 HN pts
Only Claude Opus 5.5 has CLI runs here (Claude Code).
Pelican
Generate an SVG of a pelican riding a bicycle
Landing
Build the landing page for Lumen Cycles, a Copenhagen workshop that builds custom cargo bikes to order. Make it look like a real brand you would trust with 4,000 euros.
Breakout
Make a Breakout game I can play right now with the keyboard or the mouse. Give it several levels, a score and some juice.
Logo
Design a logo for Night Heron, an independent bookshop that only opens after dark.
About
Write the opening of the About us page for Patchbay, a three-person studio in Rotterdam that repairs vintage synthesizers. About 150 words.
Patchbay is a small, three‑person studio in Rotterdam dedicated to bringing vintage synthesizers back to life. Founded by longtime gear enthusiasts, we combine hands‑on craftsmanship with a deep knowledge of analog electronics to restore, calibrate, and enhance instruments that have been out of tune for decades. Our workshop is a place where old circuitry meets modern precision, and where each repair is treated as a chance to learn something new about the machines we love. We work closely with musicians, collectors, and repair shops across the Netherlands, offering personalized service that respects the history and character of each instrument. By preserving the sonic quirks of classic synths, we help artists keep the sounds that shaped electronic music alive today. At Patchbay, the goal is simple: keep the past humming and give it a future. Our three‑person team blends electronics expertise, music production insight, and meticulous restoration craft.
Patchbay is three people in a narrow workshop near the Maas in Rotterdam. Every day we open up instruments that were built before most of their current owners were born. Some arrive in flight cases and some come wrapped in old bath towels. Most have a story: a Juno that went quiet halfway through a gig, a Minimoog left in someone's attic for thirty years, or a modular system that a previous technician gave up on.
We started Patchbay because we kept seeing good synthesizers sent off as "unrepairable" when all they needed was patience, a schematic and a steady hand. We swap out dried capacitors, hunt for intermittent faults, recalibrate oscillators until they track properly again, and source or rebuild parts that stopped being made decades ago.
We don't try to make old machines sound new. Our job is to make them sound like themselves again, and to make sure they keep working for the next person who plays them.
Specs and numbers
| LFM2.5-24B-A2B | Claude Opus 5.5 | |
|---|---|---|
| Maker | LiquidAI | Anthropic |
| Made in | US | US |
| Released | 13 Oct 2026 | 22 Sep 2026 |
| Price in, per M tokens | $0.05 | $4.00 |
| Price out, per M tokens | $0.70 | $20.00 |
| Context | 128,000 tokens | 1,000,000 tokens |
| Weights | open | closed |
| Hacker News points | 292 | 2,737 |
| Time for the five prompts | 57 s | 10 min 4 s |
| List price of the five prompts | $0.020 | $1.35 |
LFM2.5-24B-A2B was cheaper: $1.33 less at list price, and less on each of the 5 prompts. LFM2.5-24B-A2B was faster: 9 min 8 s less in total, and faster on each of the 5 prompts.
In the recording, LFM2.5-24B-A2B's Breakout game stopped painting; Claude Opus 5.5's plays. LFM2.5-24B-A2B's landing page was cut off at the output limit (8,192 tokens). LFM2.5-24B-A2B's Breakout game was cut off at the output limit (8,192 tokens). LFM2.5-24B-A2B has no watch: no file after 2 runs, used all 8,192 output tokens.
Rebuild this screen experiment: Claude Opus 5.5's rebuild matched the screenshot at 89%; LFM2.5-24B-A2B was not in it. Tea Garden experiment: Claude Opus 5.5's game passed 5 of 5 checks; LFM2.5-24B-A2B was not in it.



