LFM2.5-24B-A2B vs DeepSeek V4.1 Flash
LFM2.5-24B-A2B
LiquidAI · $0.7/M out · 292 HN pts
DeepSeek V4.1 Flash
DeepSeek · $1.2/M out · 1,482 HN pts
Only DeepSeek V4.1 Flash has CLI runs here (Command Code).
Pelican
Generate an SVG of a pelican riding a bicycle
Landing
Build the landing page for Lumen Cycles, a Copenhagen workshop that builds custom cargo bikes to order. Make it look like a real brand you would trust with 4,000 euros.
Breakout
Make a Breakout game I can play right now with the keyboard or the mouse. Give it several levels, a score and some juice.
Logo
Design a logo for Night Heron, an independent bookshop that only opens after dark.
About
Write the opening of the About us page for Patchbay, a three-person studio in Rotterdam that repairs vintage synthesizers. About 150 words.
Patchbay is a small, three‑person studio in Rotterdam dedicated to bringing vintage synthesizers back to life. Founded by longtime gear enthusiasts, we combine hands‑on craftsmanship with a deep knowledge of analog electronics to restore, calibrate, and enhance instruments that have been out of tune for decades. Our workshop is a place where old circuitry meets modern precision, and where each repair is treated as a chance to learn something new about the machines we love. We work closely with musicians, collectors, and repair shops across the Netherlands, offering personalized service that respects the history and character of each instrument. By preserving the sonic quirks of classic synths, we help artists keep the sounds that shaped electronic music alive today. At Patchbay, the goal is simple: keep the past humming and give it a future. Our three‑person team blends electronics expertise, music production insight, and meticulous restoration craft.
Patchbay is a three-person workshop in Rotterdam, tucked into an old warehouse where the light is good and the benches are always covered in parts. We repair vintage synthesizers — the analog giants, the odd Japanese curiosities, the machines that were built to last and mostly have. Between us we've spent decades tracing dead oscillators, recapping power supplies, and coaxing behaviour back out of circuits that other people had given up on. We work slowly, because these instruments reward patience, and we test everything by ear as well as by meter. Some arrive barely alive; some just need one stubborn voice brought back into tune. Either way, we treat each one as a piece of history worth keeping in use. If it makes sound, we'd like to hear it again.



