Ling 3.1 Flash vs MiMo v2.6 Flash
Ling 3.1 Flash took 75 min 28 s and $0.055 at list price, MiMo v2.6 Flash took 24 min 20 s and $0.040 at list price. Ling 3.1 Flash took 3.1× as long and cost 1.4× as much.
Ling 3.1 Flash
inclusionAI · $0.225/M out · 1 HN pts
MiMo v2.6 Flash
Xiaomi · $0.28/M out · 5 HN pts
Pelican
Generate an SVG of a pelican riding a bicycle
Watch
Draw a mechanical wristwatch that shows the current local time, with a sweeping seconds hand and a date window. Make it look expensive.
Landing
Build the landing page for Lumen Cycles, a Copenhagen workshop that builds custom cargo bikes to order. Make it look like a real brand you would trust with 4,000 euros.
Breakout
Make a Breakout game I can play right now with the keyboard or the mouse. Give it several levels, a score and some juice.
Logo
Design a logo for Night Heron, an independent bookshop that only opens after dark.
About
Write the opening of the About us page for Patchbay, a three-person studio in Rotterdam that repairs vintage synthesizers. About 150 words.
Patchbay is a small repair studio in Rotterdam dedicated to keeping vintage synthesizers alive. We are three people — a technician, a historian, and a musician — who believe that the instruments built in the 1960s, 70s, and 80s still have decades of sound left in them, if someone is willing to care for them properly.
We work on everything from early Moogs and Arps to Roland Junos and Oberheim OB-series, handling everything from dead power supplies and leaky batteries to full recaps and voice board restoration. Our workshop is small by design. We take on a limited number of instruments at a time, which means every synth that comes through our door gets our full attention.
Most of our clients are working musicians, collectors, and small studios across Europe, but we also welcome instruments with stories we'd love to hear. If you have a piece of synth history that needs care, we'd be glad to talk.
Patchbay is a three-person studio in Rotterdam dedicated to the repair and restoration of vintage synthesizers. We work on instruments that have been sitting in attics, basements, and rehearsal rooms for decades — the ones that hum when they shouldn't, lose their voice, or refuse to power on at all. Our approach is patient and detail-oriented. We trace faults through aging circuit boards, source period-correct components when possible, and treat every repair as a conversation with the person who built the instrument, and the musicians who played it before it fell silent.
We believe these machines deserve to stay in circulation rather than end up in landfill. Whether it is a Moog, a Juno, or a machine you cannot name, bring it in and we will tell you honestly what it needs.