MiMo v2.6 Pro vs Gemini 3.8 Flash
MiMo v2.6 Pro took 36 min 46 s and $0.12 at list price, Gemini 3.8 Flash took 8 min 33 s and $0.32 at list price. MiMo v2.6 Pro took 4.3× as long, and Gemini 3.8 Flash cost 2.7× as much.
MiMo v2.6 Pro
Xiaomi · $0.87/M out · 169 HN pts
Gemini 3.8 Flash
Google · $4.13/M out · 1,293 HN pts
Pelican
Generate an SVG of a pelican riding a bicycle
Watch
Draw a mechanical wristwatch that shows the current local time, with a sweeping seconds hand and a date window. Make it look expensive.
Landing
Build the landing page for Lumen Cycles, a Copenhagen workshop that builds custom cargo bikes to order. Make it look like a real brand you would trust with 4,000 euros.
Breakout
Make a Breakout game I can play right now with the keyboard or the mouse. Give it several levels, a score and some juice.
Logo
Design a logo for Night Heron, an independent bookshop that only opens after dark.
About
Write the opening of the About us page for Patchbay, a three-person studio in Rotterdam that repairs vintage synthesizers. About 150 words.
Patchbay is a three-person studio in Rotterdam dedicated to the repair and restoration of vintage synthesizers. We spend our days with soldering irons and oscilloscopes, coaxing life back into instruments that were built to last and mostly did, until they didn't.
Between us we cover decades of combined experience with analog and early digital circuitry, from the classics of Roland, Korg, Moog, and ARP to the odd, wonderful machines that never made it big. We treat every repair with the same care, whether it's a flagship polysynth or a broken drum machine with a devoted following.
Our workshop sits in the west of the city. You're welcome to visit — bring the instrument, bring the story behind it. We like hearing both.
What we don't know we research, and what we can't source we sometimes fabricate. Nothing gets written off before we've tried.
Tucked away in Rotterdam, Patchbay is a three-person repair studio dedicated to the preservation and revival of vintage synthesizers. We believe that classic instruments are living machines rather than museum relics—tools built to inspire, create, and be played loud. Between the three of us, we combine decades of experience in electronics engineering, sound design, and meticulous craftsmanship. Whether tracking down elusive voice chips for an eighties polyphonic giant, rebuilding power supplies, or recalibrating the drift on a cantankerous monophonic circuit from the seventies, we treat every piece of gear with obsessive attention to detail. Our workbench is built on a deep respect for historical engineering and a refusal to cut corners. For musicians, producers, and collectors across the Netherlands and beyond, Patchbay is where forgotten circuits find their current again, keeping the tactile soul of analog synthesis alive and resonant.