MiMo v2.6 Pro vs GLM 5.3
MiMo v2.6 Pro took 36 min 46 s and $0.12 at list price, GLM 5.3 took 22 min 22 s and $0.87 at list price. MiMo v2.6 Pro took 1.6× as long, and GLM 5.3 cost 7.2× as much.
MiMo v2.6 Pro
Xiaomi · $0.87/M out · 169 HN pts
GLM 5.3
Z.ai · $3.6/M out · 3,306 HN pts
Pelican
Generate an SVG of a pelican riding a bicycle
Watch
Draw a mechanical wristwatch that shows the current local time, with a sweeping seconds hand and a date window. Make it look expensive.
Landing
Build the landing page for Lumen Cycles, a Copenhagen workshop that builds custom cargo bikes to order. Make it look like a real brand you would trust with 4,000 euros.
Breakout
Make a Breakout game I can play right now with the keyboard or the mouse. Give it several levels, a score and some juice.
Logo
Design a logo for Night Heron, an independent bookshop that only opens after dark.
About
Write the opening of the About us page for Patchbay, a three-person studio in Rotterdam that repairs vintage synthesizers. About 150 words.
Patchbay is a three-person studio in Rotterdam dedicated to the repair and restoration of vintage synthesizers. We spend our days with soldering irons and oscilloscopes, coaxing life back into instruments that were built to last and mostly did, until they didn't.
Between us we cover decades of combined experience with analog and early digital circuitry, from the classics of Roland, Korg, Moog, and ARP to the odd, wonderful machines that never made it big. We treat every repair with the same care, whether it's a flagship polysynth or a broken drum machine with a devoted following.
Our workshop sits in the west of the city. You're welcome to visit — bring the instrument, bring the story behind it. We like hearing both.
What we don't know we research, and what we can't source we sometimes fabricate. Nothing gets written off before we've tried.
Patchbay is a three-person workshop in Rotterdam where vintage synthesizers come back to life. Whatever lands on our bench — a battered Minimoog, a Juno with dead keys, an ARP silent since the eighties — gets the same treatment: careful diagnosis, honest advice, and repairs done right.
We started Patchbay because we believe a good synthesizer shouldn't die of old age. These machines are more than circuits and sliders — they're the sound of records you grew up with, and the reason some of us got into music in the first place. Every one we fix goes back out into the world ready to make more.
Between us we handle everything from recapping and calibration to keybed work and the hunt for parts nobody has made in decades. It's slow, meticulous work, and we like it that way. If something in your collection hums, crackles, or refuses to turn on, bring it in — we'll see what we can do.





