MiniMax M3.1 Flash vs DeepSeek V4.1 Flash
MiniMax M3.1 Flash
MiniMax · $0.6/M out · 549 HN pts
DeepSeek V4.1 Flash
DeepSeek · $1.2/M out · 1,482 HN pts
Only DeepSeek V4.1 Flash has CLI runs here (Command Code).
Pelican
Generate an SVG of a pelican riding a bicycle
Watch
Draw a mechanical wristwatch that shows the current local time, with a sweeping seconds hand and a date window. Make it look expensive.
Landing
Build the landing page for Lumen Cycles, a Copenhagen workshop that builds custom cargo bikes to order. Make it look like a real brand you would trust with 4,000 euros.
Breakout
Make a Breakout game I can play right now with the keyboard or the mouse. Give it several levels, a score and some juice.
Logo
Design a logo for Night Heron, an independent bookshop that only opens after dark.
About
Write the opening of the About us page for Patchbay, a three-person studio in Rotterdam that repairs vintage synthesizers. About 150 words.
Patchbay is a three-person studio in Rotterdam dedicated to bringing vintage synthesizers back to life. We repair analog and digital instruments that shaped the sound of music, from classic drum machines and polyphonic synths to quirky, characterful machines that rarely leave a musician’s side. Our work combines technical knowledge with respect for each instrument’s history, because a synth is more than a circuit board: it carries the decisions, compromises, and personality of its original design.
We diagnose faults, restore unreliable voices, and carefully service aging components without erasing the character that made an instrument worth keeping. Whether a machine has been silent for years or simply needs a thoughtful tune-up, we treat every repair as a careful act of restoration.
Based in Rotterdam, Patchbay works with musicians, studios, collectors, and anyone who believes electronic instruments deserve another chapter. We restore them to sound as they should, preserving the details that make each one unique.
Patchbay is a three-person workshop in Rotterdam, tucked into an old warehouse where the light is good and the benches are always covered in parts. We repair vintage synthesizers — the analog giants, the odd Japanese curiosities, the machines that were built to last and mostly have. Between us we've spent decades tracing dead oscillators, recapping power supplies, and coaxing behaviour back out of circuits that other people had given up on. We work slowly, because these instruments reward patience, and we test everything by ear as well as by meter. Some arrive barely alive; some just need one stubborn voice brought back into tune. Either way, we treat each one as a piece of history worth keeping in use. If it makes sound, we'd like to hear it again.