Pareto 26.10 vs Pareto 26.9
Pareto 26.10
Unbiased · $3.2/M out · 0 HN pts
Pareto 26.9
Unbiased · $7.5/M out · 0 HN pts
Pelican
Generate an SVG of a pelican riding a bicycle
Watch
Draw a mechanical wristwatch that shows the current local time, with a sweeping seconds hand and a date window. Make it look expensive.
Landing
Build the landing page for Lumen Cycles, a Copenhagen workshop that builds custom cargo bikes to order. Make it look like a real brand you would trust with 4,000 euros.
Breakout
Make a Breakout game I can play right now with the keyboard or the mouse. Give it several levels, a score and some juice.
Logo
Design a logo for Night Heron, an independent bookshop that only opens after dark.
About
Write the opening of the About us page for Patchbay, a three-person studio in Rotterdam that repairs vintage synthesizers. About 150 words.
Patchbay was born from a simple frustration in Rotterdam: the belief that vintage synthesizers should be heard, not locked away in climate-controlled collections. Founded by three engineers and musicians who share an obsession with the raw, unpredictable character of analog gear, we operate out of a small studio where the smell of soldering iron and ozone is as common as coffee. We don’t just fix broken circuits; we restore the soul of these machines. Whether it’s a temperamental Moog, a glitchy Roland, or a rare obscure European find, we treat every patch cord and potentiometer with reverence and precision. Our trio combines decades of electronic music production experience with meticulous hardware restoration skills, ensuring that every repair honors the original design while making the instrument reliable for modern stage use. We believe that the quirks of vintage technology are features, not bugs. Our goal is to bridge the gap between historical preservation and contemporary creativity, giving these legendary instruments a second life in today’s soundscapes. Join us in keeping the analog signal chain alive.
Patchbay is a small workshop in the heart of Rotterdam, where three people spend their days elbow-deep in the guts of vintage synthesizers. We fix the machines that made the sounds you grew up with—the ones that shaped entire genres and then got left in basements when the tech moved on. But we're not a museum. Our benches are covered in solder, schematics, and the occasional broken key that's been there for two weeks longer than we'd like to admit.
We started this studio because we got tired of seeing classic gear being stripped for parts, or worse, turned into Instagram decor. These instruments deserve better. They were built to make noise, and we want to keep them doing exactly that.
Between the three of us, we've fixed everything from a 1960s Buchla to a beat-up Juno that fell down a flight of stairs. If you've got a synth that's gone quiet, bring it in. We'll bring it back.