Pareto 26.9 vs Fugu Max

Patchbay is a small workshop in the heart of Rotterdam, where three people spend their days elbow-deep in the guts of vintage synthesizers. We fix the machines that made the sounds you grew up with—the ones that shaped entire genres and then got left in basements when the tech moved on. But we're not a museum. Our benches are covered in solder, schematics, and the occasional broken key that's been there for two weeks longer than we'd like to admit.

We started this studio because we got tired of seeing classic gear being stripped for parts, or worse, turned into Instagram decor. These instruments deserve better. They were built to make noise, and we want to keep them doing exactly that.

Between the three of us, we've fixed everything from a 1960s Buchla to a beat-up Juno that fell down a flight of stairs. If you've got a synth that's gone quiet, bring it in. We'll bring it back.

Tucked away in the industrial heart of Rotterdam, Patchbay is a three-person workshop dedicated to the survival and revival of vintage synthesizers. We started with a simple conviction: these instruments are not museum relics meant to gather dust behind glass, but living, breathing tools of expression built to make noise. Across our three workbenches, we combine decades of obsessive circuit-tracing, soldering, and component-level diagnostics. Whether coaxing a temperamental Japanese polysynth back into tune, rebuilding a tired power supply, or hunting down elusive, out-of-production chips, we treat every machine with meticulous patience and deep technical reverence. Rotterdam is a city shaped by honest craft, and we bring that same pragmatic devotion to every solder joint and calibration trim. At Patchbay, we don't just repair obsolete electronics—we preserve the warmth, grit, and soul of analog sound for the musicians who still rely on it.