Step 5 Preview vs GLM 5.3
Step 5 Preview took 10 min 44 s and $0.33 at list price, GLM 5.3 took 22 min 22 s and $0.87 at list price. GLM 5.3 took 2.1× as long and cost 2.7× as much.
Step 5 Preview
StepFun · $2.7/M out · 155 HN pts
GLM 5.3
Z.ai · $3.6/M out · 3,306 HN pts
Pelican
Generate an SVG of a pelican riding a bicycle
Watch
Draw a mechanical wristwatch that shows the current local time, with a sweeping seconds hand and a date window. Make it look expensive.
Landing
Build the landing page for Lumen Cycles, a Copenhagen workshop that builds custom cargo bikes to order. Make it look like a real brand you would trust with 4,000 euros.
Breakout
Make a Breakout game I can play right now with the keyboard or the mouse. Give it several levels, a score and some juice.
Logo
Design a logo for Night Heron, an independent bookshop that only opens after dark.
About
Write the opening of the About us page for Patchbay, a three-person studio in Rotterdam that repairs vintage synthesizers. About 150 words.
Patchbay is a three-person workshop based in Rotterdam, dedicated to keeping vintage synthesizers alive and playable. We are technicians, musicians, and obsessive tinkerers who believe that classic analog instruments deserve better than silence. From temperamental Jupiter-8s to worn-out ARP Odysseys, we restore, repair, and maintain the machines that shaped the sound of modern music. Every repair starts with listening—both to the instrument and to the person who plays it. Whether you are chasing a rare fault, need a full calibration, or simply want your old synth to feel new again, our bench is open. We understand that no two synthesizers arrive with the same story, and we treat each circuit, slider, and key with the care its history deserves. At Patchbay, we are here to make sure the sounds of tomorrow are built on those that came before.
Patchbay is a three-person workshop in Rotterdam where vintage synthesizers come back to life. Whatever lands on our bench — a battered Minimoog, a Juno with dead keys, an ARP silent since the eighties — gets the same treatment: careful diagnosis, honest advice, and repairs done right.
We started Patchbay because we believe a good synthesizer shouldn't die of old age. These machines are more than circuits and sliders — they're the sound of records you grew up with, and the reason some of us got into music in the first place. Every one we fix goes back out into the world ready to make more.
Between us we handle everything from recapping and calibration to keybed work and the hunt for parts nobody has made in decades. It's slow, meticulous work, and we like it that way. If something in your collection hums, crackles, or refuses to turn on, bring it in — we'll see what we can do.





