Flint vs MiniMax M3

Patchbay began in a small, cluttered workshop in Rotterdam, where solder smoke and old capacitors seem to belong together. We are a three-person studio, which means every synthesizer that comes through our door is handled by one of the same people who started the project. No call center, no hand-off to strangers. We repair vintage synthesizers: the dusty analog beasts, the rare oddities, the ones with missing knobs and mysterious tuning drift. Our work is part electronics, part archaeology, part stubborn love. We listen to the hum before we open the case, and we believe most vintage synths are not dead, just waiting for someone to pay attention. In a city known for moving quickly, we prefer taking our time. Patchbay exists to keep old voices alive, one oscillator, filter, and power supply at a time. If you have a synth that sings, whispers, or hums through the decades, we would be glad to meet it.

Patchbay began in a cluttered apartment in Rotterdam, where three friends spent weekends coaxing old synthesizers back to life. What started as a shared obsession quickly outgrew the living room. In 2016, we opened our first proper workshop in a converted warehouse on the south side of the city, and we have been soldering, calibrating, and listening closely ever since.

We are a small team of three. Niels handles the analog work, coaxing warm tones from aging oscillators and reluctant filters. Marijn focuses on digital systems and the occasional stubborn MIDI quirk. Sanna manages restorations, sourcing rare components and keeping long projects on track. Between us, we have decades of experience with the machines that shaped electronic music.

Every synth that passes through our doors carries decades of sound inside it. Our job is to make sure that story continues.