Gemini 4 Argon vs Ember-1
Gemini 4 Argon
Google · $10/M out · 2,030 HN pts
Ember-1
Fireworks · $15/M out · 589 HN pts
Pelican
Generate an SVG of a pelican riding a bicycle
Watch
Draw a mechanical wristwatch that shows the current local time, with a sweeping seconds hand and a date window. Make it look expensive.
Landing
Build the landing page for Lumen Cycles, a Copenhagen workshop that builds custom cargo bikes to order. Make it look like a real brand you would trust with 4,000 euros.
Breakout
Make a Breakout game I can play right now with the keyboard or the mouse. Give it several levels, a score and some juice.
Logo
Design a logo for Night Heron, an independent bookshop that only opens after dark.
About
Write the opening of the About us page for Patchbay, a three-person studio in Rotterdam that repairs vintage synthesizers. About 150 words.
In a quiet industrial building overlooking the Maas, the air smells of warm dust, solder flux, and ozone. This is Patchbay, a three-person workshop in Rotterdam dedicated to keeping the golden age of electronic music alive. We don’t view vintage synthesizers as museum pieces to be locked behind glass. To us, a Roland Jupiter-8 or an ARP Odyssey is a living, breathing instrument meant to be played, gigged, and pushed to its sonic limits.
Between the three of us, we have spent decades deciphering faded schematics, hunting down obsolete transistors, and cleaning decades of club grime from beneath weighted keys. Rotterdam is a city built on raw electronics and relentless rhythms, and we take pride in keeping its hardware running. Whether you bring us a touring workhorse with a dead voice chip or a garage-find modular rig that hasn’t powered on since 1984, we are here to make it sing again.
Patchbay is a three-person workshop in Rotterdam dedicated to keeping vintage synthesizers alive. We work on the machines that shaped electronic music — analog polysynths, temperamental drum machines, early digital oddities — replacing tired capacitors, rebuilding keybeds, and coaxing silent oscillators back into tune.
Between us we bring decades of experience in electronics, instrument design, and music-making, but what unites us is simpler: we believe these machines were built to be played, not displayed. Every repair happens by hand at our benches, with period-correct components wherever possible and thoughtful modern solutions where reliability demands it. We test everything the only way that matters — by listening.
Whether your Juno has lost a voice, your 808 has lost its kick, or a flea-market find needs a full restoration, we treat each instrument as if it were heading back to a studio, a stage, and a long life of making noise. Because it is.