GLM 5.3 vs Kimi K3
GLM 5.3 took 22 min 22 s and $0.87 at list price, Kimi K3 took 22 min 52 s and $1.92 at list price. Both took about as long, and Kimi K3 cost 2.2× as much.
Pelican
Generate an SVG of a pelican riding a bicycle
Watch
Draw a mechanical wristwatch that shows the current local time, with a sweeping seconds hand and a date window. Make it look expensive.
Landing
Build the landing page for Lumen Cycles, a Copenhagen workshop that builds custom cargo bikes to order. Make it look like a real brand you would trust with 4,000 euros.
Breakout
Make a Breakout game I can play right now with the keyboard or the mouse. Give it several levels, a score and some juice.
Logo
Design a logo for Night Heron, an independent bookshop that only opens after dark.
About
Write the opening of the About us page for Patchbay, a three-person studio in Rotterdam that repairs vintage synthesizers. About 150 words.
Patchbay is a three-person workshop in Rotterdam where vintage synthesizers come back to life. Whatever lands on our bench — a battered Minimoog, a Juno with dead keys, an ARP silent since the eighties — gets the same treatment: careful diagnosis, honest advice, and repairs done right.
We started Patchbay because we believe a good synthesizer shouldn't die of old age. These machines are more than circuits and sliders — they're the sound of records you grew up with, and the reason some of us got into music in the first place. Every one we fix goes back out into the world ready to make more.
Between us we handle everything from recapping and calibration to keybed work and the hunt for parts nobody has made in decades. It's slow, meticulous work, and we like it that way. If something in your collection hums, crackles, or refuses to turn on, bring it in — we'll see what we can do.
Patchbay is a small workshop in Rotterdam where old synthesizers come back to life. We are three people — a former recording engineer, a self-taught circuit obsessive, and a classically trained pianist who fell in love with broken machines — and between us we have spent decades coaxing sound out of equipment the rest of the world gave up on.
We started Patchbay because we kept meeting the same problem: beloved instruments sitting silent in attics and studio corners, written off as unfixable. A Juno with a dead voice chip. A Prophet that drifts out of tune. A Moog that hums when it shouldn't. To us, none of these are lost causes. They are instruments with history in them, and they deserve careful hands, original parts where possible, and honest work.
Every synth that leaves our bench is played, tested, and listened to — because that is what it was made for.