GPT-6.1 Terra vs Claude Opus 5.5
GPT-6.1 Terra took 5 min 29 s and $0.15 at list price, Claude Opus 5.5 took 11 min 46 s and $1.57 at list price. Claude Opus 5.5 took 2.1× as long and cost 11× as much.
GPT-6.1 Terra
OpenAI · $5/M out · 706 HN pts
Claude Opus 5.5
Anthropic · $20/M out · 2,737 HN pts
Only Claude Opus 5.5 has CLI runs here (Claude Code).
Pelican
Generate an SVG of a pelican riding a bicycle
Watch
Draw a mechanical wristwatch that shows the current local time, with a sweeping seconds hand and a date window. Make it look expensive.
Landing
Build the landing page for Lumen Cycles, a Copenhagen workshop that builds custom cargo bikes to order. Make it look like a real brand you would trust with 4,000 euros.
Breakout
Make a Breakout game I can play right now with the keyboard or the mouse. Give it several levels, a score and some juice.
Logo
Design a logo for Night Heron, an independent bookshop that only opens after dark.
About
Write the opening of the About us page for Patchbay, a three-person studio in Rotterdam that repairs vintage synthesizers. About 150 words.
Patchbay is a three-person studio in Rotterdam, dedicated to repairing vintage synthesizers and keeping them in use.
Old instruments have a way of becoming familiar: the feel of a key, the response of a filter, the particular sound a circuit makes when it’s working as it should. When something goes wrong, we take the time to understand both the fault and the instrument around it. We work carefully, preserving original parts wherever practical and making repairs with the long term in mind.
Our studio brings together a shared interest in electronics, sound and the machines that connect them. Whether a synthesizer has a stubborn key, a noisy output or has been silent for years, we’re interested in finding a way forward.
We work with musicians, collectors and anyone who wants to hear an old instrument come to life again. If you have a synth that needs attention, we’d be glad to hear about it.
Patchbay is three people in a narrow workshop near the Maas in Rotterdam. Every day we open up instruments that were built before most of their current owners were born. Some arrive in flight cases and some come wrapped in old bath towels. Most have a story: a Juno that went quiet halfway through a gig, a Minimoog left in someone's attic for thirty years, or a modular system that a previous technician gave up on.
We started Patchbay because we kept seeing good synthesizers sent off as "unrepairable" when all they needed was patience, a schematic and a steady hand. We swap out dried capacitors, hunt for intermittent faults, recalibrate oscillators until they track properly again, and source or rebuild parts that stopped being made decades ago.
We don't try to make old machines sound new. Our job is to make them sound like themselves again, and to make sure they keep working for the next person who plays them.