GPT-6.1 Terra vs GPT-6.1 Sol
GPT-6.1 Terra took 5 min 29 s and $0.15 at list price, GPT-6.1 Sol took 12 min 10 s and $0.37 at list price. GPT-6.1 Sol took 2.2× as long and cost 2.5× as much.
GPT-6.1 Terra
OpenAI · $5/M out · 706 HN pts
GPT-6.1 Sol
OpenAI · $10/M out · 1,166 HN pts
Pelican
Generate an SVG of a pelican riding a bicycle
Watch
Draw a mechanical wristwatch that shows the current local time, with a sweeping seconds hand and a date window. Make it look expensive.
Landing
Build the landing page for Lumen Cycles, a Copenhagen workshop that builds custom cargo bikes to order. Make it look like a real brand you would trust with 4,000 euros.
Breakout
Make a Breakout game I can play right now with the keyboard or the mouse. Give it several levels, a score and some juice.
Logo
Design a logo for Night Heron, an independent bookshop that only opens after dark.
About
Write the opening of the About us page for Patchbay, a three-person studio in Rotterdam that repairs vintage synthesizers. About 150 words.
Patchbay is a three-person studio in Rotterdam, dedicated to repairing vintage synthesizers and keeping them in use.
Old instruments have a way of becoming familiar: the feel of a key, the response of a filter, the particular sound a circuit makes when it’s working as it should. When something goes wrong, we take the time to understand both the fault and the instrument around it. We work carefully, preserving original parts wherever practical and making repairs with the long term in mind.
Our studio brings together a shared interest in electronics, sound and the machines that connect them. Whether a synthesizer has a stubborn key, a noisy output or has been silent for years, we’re interested in finding a way forward.
We work with musicians, collectors and anyone who wants to hear an old instrument come to life again. If you have a synth that needs attention, we’d be glad to hear about it.
Patchbay is a three-person studio in Rotterdam, keeping vintage synthesizers in working hands. We repair the instruments that have picked up a crackle, lost a voice, drifted out of tune, or stopped making sound altogether.
We like the patient side of repair: tracing a fault, understanding an old circuit, and finding the right fix rather than the quickest workaround. Our aim is to make each instrument dependable without sanding away the character that made someone fall for it in the first place.
Some synths arrive with a clear problem. Others come with a story and a noise that only happens after twenty minutes. Either way, the work starts with listening—to the instrument and to the person who plays it.
We’re a small studio by choice. It keeps us close to the work, and to the musicians who trust us with something they want to keep making music with.