DeepSeek V4.1 Flash 1017 vs GPT-6.1 Sol
DeepSeek V4.1 Flash 1017 took 7 min 16 s and $0.068 at list price, GPT-6.1 Sol took 12 min 10 s and $0.37 at list price. GPT-6.1 Sol took 1.7× as long and cost 5.4× as much.
DeepSeek V4.1 Flash 1017
DeepSeek · $0.6/M out · 1,693 HN pts
GPT-6.1 Sol
OpenAI · $10/M out · 1,166 HN pts
Pelican
Generate an SVG of a pelican riding a bicycle
Watch
Draw a mechanical wristwatch that shows the current local time, with a sweeping seconds hand and a date window. Make it look expensive.
Landing
Build the landing page for Lumen Cycles, a Copenhagen workshop that builds custom cargo bikes to order. Make it look like a real brand you would trust with 4,000 euros.
Breakout
Make a Breakout game I can play right now with the keyboard or the mouse. Give it several levels, a score and some juice.
Logo
Design a logo for Night Heron, an independent bookshop that only opens after dark.
About
Write the opening of the About us page for Patchbay, a three-person studio in Rotterdam that repairs vintage synthesizers. About 150 words.
Patchbay is a three-person studio in Rotterdam devoted to keeping vintage synthesizers making the sounds they were built to make. We repair, service and restore analog instruments from the late 1960s onward, from familiar Moogs and ARPs to oddities with no service manual. Every synth that comes through the door is treated as a working instrument rather than a museum piece. We trace faults, rebuild power supplies, refresh capacitors, clean keybeds and calibrate oscillators, always with an eye on reliability and the character that made the machine worth saving. We document what we do, explain the options clearly and never replace more than necessary. Whether you need one dead voice brought back or a full restoration, we work carefully, at the bench and in conversation with you. Old synths belong on records and stages, and our job is to keep them there.
Patchbay is a three-person studio in Rotterdam, keeping vintage synthesizers in working hands. We repair the instruments that have picked up a crackle, lost a voice, drifted out of tune, or stopped making sound altogether.
We like the patient side of repair: tracing a fault, understanding an old circuit, and finding the right fix rather than the quickest workaround. Our aim is to make each instrument dependable without sanding away the character that made someone fall for it in the first place.
Some synths arrive with a clear problem. Others come with a story and a noise that only happens after twenty minutes. Either way, the work starts with listening—to the instrument and to the person who plays it.
We’re a small studio by choice. It keeps us close to the work, and to the musicians who trust us with something they want to keep making music with.