DeepSeek V4.1 Flash 1017 vs Claude Haiku 5.5
DeepSeek V4.1 Flash 1017
DeepSeek · $0.6/M out · 1,691 HN pts
Claude Haiku 5.5
Anthropic · $0.5/M out · 1,071 HN pts
Pelican
Generate an SVG of a pelican riding a bicycle
Watch
Draw a mechanical wristwatch that shows the current local time, with a sweeping seconds hand and a date window. Make it look expensive.
Landing
Build the landing page for Lumen Cycles, a Copenhagen workshop that builds custom cargo bikes to order. Make it look like a real brand you would trust with 4,000 euros.
Breakout
Make a Breakout game I can play right now with the keyboard or the mouse. Give it several levels, a score and some juice.
Logo
Design a logo for Night Heron, an independent bookshop that only opens after dark.
About
Write the opening of the About us page for Patchbay, a three-person studio in Rotterdam that repairs vintage synthesizers. About 150 words.
Patchbay is a three-person studio in Rotterdam devoted to keeping vintage synthesizers making the sounds they were built to make. We repair, service and restore analog instruments from the late 1960s onward, from familiar Moogs and ARPs to oddities with no service manual. Every synth that comes through the door is treated as a working instrument rather than a museum piece. We trace faults, rebuild power supplies, refresh capacitors, clean keybeds and calibrate oscillators, always with an eye on reliability and the character that made the machine worth saving. We document what we do, explain the options clearly and never replace more than necessary. Whether you need one dead voice brought back or a full restoration, we work carefully, at the bench and in conversation with you. Old synths belong on records and stages, and our job is to keep them there.
Patchbay is a three-person studio in Rotterdam, and we spend our days inside vintage synthesizers. We are repair technicians first: we open the cases, replace the leaking capacitors, re-tune the oscillators that have drifted out of pitch, and bring back the filters that went silent decades ago. Our bench is crowded with service manuals, spare chips, and a soldering station that has seen more Moog panels than we can count. We started the studio because we kept meeting musicians whose favourite instruments sat unused in cupboards, not because they were broken beyond saving but because nobody nearby knew how to fix them. We still believe most of these machines can be made to sing again, and we would rather spend an afternoon finding the one bad resistor than see another good synth end up in a skip.





