DeepSeek V4.1 Flash 1017 vs DeepSeek V4.1 Flash
DeepSeek V4.1 Flash 1017
DeepSeek · $0.6/M out · 1,691 HN pts
DeepSeek V4.1 Flash
DeepSeek · $0.375/M out · 1,482 HN pts
Only DeepSeek V4.1 Flash has CLI runs here (Command Code).
Pelican
Generate an SVG of a pelican riding a bicycle
Watch
Draw a mechanical wristwatch that shows the current local time, with a sweeping seconds hand and a date window. Make it look expensive.
Landing
Build the landing page for Lumen Cycles, a Copenhagen workshop that builds custom cargo bikes to order. Make it look like a real brand you would trust with 4,000 euros.
Breakout
Make a Breakout game I can play right now with the keyboard or the mouse. Give it several levels, a score and some juice.
Logo
Design a logo for Night Heron, an independent bookshop that only opens after dark.
About
Write the opening of the About us page for Patchbay, a three-person studio in Rotterdam that repairs vintage synthesizers. About 150 words.
Patchbay is a three-person studio in Rotterdam devoted to keeping vintage synthesizers making the sounds they were built to make. We repair, service and restore analog instruments from the late 1960s onward, from familiar Moogs and ARPs to oddities with no service manual. Every synth that comes through the door is treated as a working instrument rather than a museum piece. We trace faults, rebuild power supplies, refresh capacitors, clean keybeds and calibrate oscillators, always with an eye on reliability and the character that made the machine worth saving. We document what we do, explain the options clearly and never replace more than necessary. Whether you need one dead voice brought back or a full restoration, we work carefully, at the bench and in conversation with you. Old synths belong on records and stages, and our job is to keep them there.
Patchbay is a three-person workshop in Rotterdam, tucked into an old warehouse where the light is good and the benches are always covered in parts. We repair vintage synthesizers — the analog giants, the odd Japanese curiosities, the machines that were built to last and mostly have. Between us we've spent decades tracing dead oscillators, recapping power supplies, and coaxing behaviour back out of circuits that other people had given up on. We work slowly, because these instruments reward patience, and we test everything by ear as well as by meter. Some arrive barely alive; some just need one stubborn voice brought back into tune. Either way, we treat each one as a piece of history worth keeping in use. If it makes sound, we'd like to hear it again.





