DeepSeek V4.1 Flash 1017 vs Claude Opus 5.5
DeepSeek V4.1 Flash 1017 took 7 min 16 s and $0.068 at list price, Claude Opus 5.5 took 11 min 46 s and $1.57 at list price. Claude Opus 5.5 took 1.6× as long and cost 23× as much.
DeepSeek V4.1 Flash 1017
DeepSeek · $0.6/M out · 1,693 HN pts
Claude Opus 5.5
Anthropic · $20/M out · 2,737 HN pts
Only Claude Opus 5.5 has CLI runs here (Claude Code).
Pelican
Generate an SVG of a pelican riding a bicycle
Watch
Draw a mechanical wristwatch that shows the current local time, with a sweeping seconds hand and a date window. Make it look expensive.
Landing
Build the landing page for Lumen Cycles, a Copenhagen workshop that builds custom cargo bikes to order. Make it look like a real brand you would trust with 4,000 euros.
Breakout
Make a Breakout game I can play right now with the keyboard or the mouse. Give it several levels, a score and some juice.
Logo
Design a logo for Night Heron, an independent bookshop that only opens after dark.
About
Write the opening of the About us page for Patchbay, a three-person studio in Rotterdam that repairs vintage synthesizers. About 150 words.
Patchbay is a three-person studio in Rotterdam devoted to keeping vintage synthesizers making the sounds they were built to make. We repair, service and restore analog instruments from the late 1960s onward, from familiar Moogs and ARPs to oddities with no service manual. Every synth that comes through the door is treated as a working instrument rather than a museum piece. We trace faults, rebuild power supplies, refresh capacitors, clean keybeds and calibrate oscillators, always with an eye on reliability and the character that made the machine worth saving. We document what we do, explain the options clearly and never replace more than necessary. Whether you need one dead voice brought back or a full restoration, we work carefully, at the bench and in conversation with you. Old synths belong on records and stages, and our job is to keep them there.
Patchbay is three people in a narrow workshop near the Maas in Rotterdam. Every day we open up instruments that were built before most of their current owners were born. Some arrive in flight cases and some come wrapped in old bath towels. Most have a story: a Juno that went quiet halfway through a gig, a Minimoog left in someone's attic for thirty years, or a modular system that a previous technician gave up on.
We started Patchbay because we kept seeing good synthesizers sent off as "unrepairable" when all they needed was patience, a schematic and a steady hand. We swap out dried capacitors, hunt for intermittent faults, recalibrate oscillators until they track properly again, and source or rebuild parts that stopped being made decades ago.
We don't try to make old machines sound new. Our job is to make them sound like themselves again, and to make sure they keep working for the next person who plays them.





