GPT-6.1 Terra vs Mistral Large 4
GPT-6.1 Terra took 5 min 29 s and $0.15 at list price, Mistral Large 4 took 51 min 22 s and $0.61 at list price. Mistral Large 4 took 9.4× as long and cost 4.2× as much.
GPT-6.1 Terra
OpenAI · $5/M out · 706 HN pts
Mistral Large 4
Mistral · $2.1/M out · 4,642 HN pts
Pelican
Generate an SVG of a pelican riding a bicycle
Watch
Draw a mechanical wristwatch that shows the current local time, with a sweeping seconds hand and a date window. Make it look expensive.
Landing
Build the landing page for Lumen Cycles, a Copenhagen workshop that builds custom cargo bikes to order. Make it look like a real brand you would trust with 4,000 euros.
Breakout
Make a Breakout game I can play right now with the keyboard or the mouse. Give it several levels, a score and some juice.
Logo
Design a logo for Night Heron, an independent bookshop that only opens after dark.
About
Write the opening of the About us page for Patchbay, a three-person studio in Rotterdam that repairs vintage synthesizers. About 150 words.
Patchbay is a three-person studio in Rotterdam, dedicated to repairing vintage synthesizers and keeping them in use.
Old instruments have a way of becoming familiar: the feel of a key, the response of a filter, the particular sound a circuit makes when it’s working as it should. When something goes wrong, we take the time to understand both the fault and the instrument around it. We work carefully, preserving original parts wherever practical and making repairs with the long term in mind.
Our studio brings together a shared interest in electronics, sound and the machines that connect them. Whether a synthesizer has a stubborn key, a noisy output or has been silent for years, we’re interested in finding a way forward.
We work with musicians, collectors and anyone who wants to hear an old instrument come to life again. If you have a synth that needs attention, we’d be glad to hear about it.
Patchbay sits in a former warehouse on Rotterdam's northern edge, where the Maas meets the industrial harbour. Three of us work here—no more, no less—surrounded by oscilloscopes, desoldering stations, and the persistent hum of transformers. We repair vintage synthesizers. That is the whole business.
We are not a museum, and we are not a factory. Every Minimoog, ARP 2600, or Juno that crosses our bench receives the same stubborn attention: traced schematics, replaced capacitors, calibrated voltages, hours spent listening for the note that was never quite right. The machines arrive broken, silent, forgotten. They leave singing.
Rotterdam built its reputation on moving heavy things and keeping them moving. We apply the same pragmatism to circuits that predate us by forty years. If it made sound once, it can make sound again. That is the promise we keep, solder joint by solder joint.