Ling 3.1 Flash vs Claude Opus 5.5

Patchbay is a small repair studio in Rotterdam dedicated to keeping vintage synthesizers alive. We are three people — a technician, a historian, and a musician — who believe that the instruments built in the 1960s, 70s, and 80s still have decades of sound left in them, if someone is willing to care for them properly.

We work on everything from early Moogs and Arps to Roland Junos and Oberheim OB-series, handling everything from dead power supplies and leaky batteries to full recaps and voice board restoration. Our workshop is small by design. We take on a limited number of instruments at a time, which means every synth that comes through our door gets our full attention.

Most of our clients are working musicians, collectors, and small studios across Europe, but we also welcome instruments with stories we'd love to hear. If you have a piece of synth history that needs care, we'd be glad to talk.

Patchbay is three people in a narrow workshop near the Maas in Rotterdam. Every day we open up instruments that were built before most of their current owners were born. Some arrive in flight cases and some come wrapped in old bath towels. Most have a story: a Juno that went quiet halfway through a gig, a Minimoog left in someone's attic for thirty years, or a modular system that a previous technician gave up on.

We started Patchbay because we kept seeing good synthesizers sent off as "unrepairable" when all they needed was patience, a schematic and a steady hand. We swap out dried capacitors, hunt for intermittent faults, recalibrate oscillators until they track properly again, and source or rebuild parts that stopped being made decades ago.

We don't try to make old machines sound new. Our job is to make them sound like themselves again, and to make sure they keep working for the next person who plays them.