Mercury 3 vs Claude Sonnet 5.5

Patchbay is a three-person repair studio in Rotterdam, tucked between a bike shop and a coffee roastery, where vintage synthesizers come to live another life. We are not a factory and we are not a museum; we are technicians who love the smell of warm solder and the patience that old circuits demand. Between us we have restored everything from early Moog modulars to battered Junos, and we treat each instrument as if it were the first one we ever opened. There is no assembly line here. Every capacitor is tested, every busbar tracked by hand, and every voice board is listened to twice—once on the bench, once through the speakers of the synth that will use it. Patchbay exists because these machines deserve more than a quick fix. They deserve someone who knows their quirks, their failures, and the strange, beautiful sounds that made us fall in love with them in the first place.

Patchbay is three people in a workshop in Rotterdam, trying to keep old synthesizers alive. We repair, restore and recalibrate the instruments that shaped electronic music: Moogs and Oberheims, Rolands and Sequential Circuits, the odd temperamental Soviet oddity that someone found in an attic.

Most of what lands on our benches has been silent for years. A crackling pot, a drifting oscillator, a power supply that gave up in 1994. Some come from working musicians who need their instrument back before the next tour. Others come from people who inherited a dusty box from a parent and want to hear what it sounds like.

We work slowly and by hand. We trace faults with a scope and a schematic, source or rebuild parts when originals are gone, and change as little as we can. Every synth leaves with a note describing exactly what we did, so the next person to open it knows where we have been.

Come by, bring your synth, and stay for coffee.