Muse Wonder vs Ember-1
Muse Wonder
Meta · $20/M out · 682 HN pts
Ember-1
Fireworks · $15/M out · 589 HN pts
Pelican
Generate an SVG of a pelican riding a bicycle
Watch
Draw a mechanical wristwatch that shows the current local time, with a sweeping seconds hand and a date window. Make it look expensive.
Landing
Build the landing page for Lumen Cycles, a Copenhagen workshop that builds custom cargo bikes to order. Make it look like a real brand you would trust with 4,000 euros.
Breakout
Make a Breakout game I can play right now with the keyboard or the mouse. Give it several levels, a score and some juice.
Logo
Design a logo for Night Heron, an independent bookshop that only opens after dark.
About
Write the opening of the About us page for Patchbay, a three-person studio in Rotterdam that repairs vintage synthesizers. About 150 words.
Patchbay is a small workshop in Rotterdam where three of us spend our days bringing vintage synthesizers back to life. We repair and restore instruments from the 1960s, 70s, and 80s — Minimoogs with drifting oscillators, Junos with silent choruses, Prophet-5s that have not powered on in decades — tracing faults board by board, replacing tired components, and calibrating each machine until it sounds musical again. We believe these instruments were built to be played, not preserved behind glass, so we work carefully and reversibly wherever possible, documenting every repair and keeping original parts when they can be saved. Musicians, studios, and collectors bring us synths from across Europe, sometimes in flight cases, sometimes in pieces. Whether it needs a full restoration or a single sticky key, we treat it as if it were our own, and we will not send it home until we would happily play it ourselves.
Patchbay is a three-person workshop in Rotterdam dedicated to keeping vintage synthesizers alive. We work on the machines that shaped electronic music — analog polysynths, temperamental drum machines, early digital oddities — replacing tired capacitors, rebuilding keybeds, and coaxing silent oscillators back into tune.
Between us we bring decades of experience in electronics, instrument design, and music-making, but what unites us is simpler: we believe these machines were built to be played, not displayed. Every repair happens by hand at our benches, with period-correct components wherever possible and thoughtful modern solutions where reliability demands it. We test everything the only way that matters — by listening.
Whether your Juno has lost a voice, your 808 has lost its kick, or a flea-market find needs a full restoration, we treat each instrument as if it were heading back to a studio, a stage, and a long life of making noise. Because it is.





