Qwen3.8 Max (0902) vs GLM 5.3
Qwen3.8 Max (0902) took 77 min 11 s and $1.20 at list price, GLM 5.3 took 22 min 22 s and $0.87 at list price. Qwen3.8 Max (0902) took 3.5× as long and cost 1.4× as much.
Qwen3.8 Max (0902)
Alibaba · $6/M out · 3 HN pts
GLM 5.3
Z.ai · $3.6/M out · 3,306 HN pts
Pelican
Generate an SVG of a pelican riding a bicycle
Watch
Draw a mechanical wristwatch that shows the current local time, with a sweeping seconds hand and a date window. Make it look expensive.
Landing
Build the landing page for Lumen Cycles, a Copenhagen workshop that builds custom cargo bikes to order. Make it look like a real brand you would trust with 4,000 euros.
Breakout
Make a Breakout game I can play right now with the keyboard or the mouse. Give it several levels, a score and some juice.
Logo
Design a logo for Night Heron, an independent bookshop that only opens after dark.
About
Write the opening of the About us page for Patchbay, a three-person studio in Rotterdam that repairs vintage synthesizers. About 150 words.
Patchbay is a small repair studio in Rotterdam dedicated to vintage synthesizers. We are three people who care about old instruments, their history, and the players who keep them alive. From classic analog polys to rare drum machines, we take the time to understand each machine before we touch it. Our work is practical and respectful: careful diagnosis, honest advice, and repairs that preserve the character of the instrument. We know these synths are more than circuits and knobs. They carry stories from studios, stages, and secondhand shops, and they deserve to be treated with patience. Whether a machine needs a simple clean, a full restoration, or help finding a hard-to-source part, we aim to make the process clear and personal from start to finish. Based in Rotterdam, we help musicians, collectors, and studios keep old synthesizers making sound for years to come. We do it with patience and respect.
Patchbay is a three-person workshop in Rotterdam where vintage synthesizers come back to life. Whatever lands on our bench — a battered Minimoog, a Juno with dead keys, an ARP silent since the eighties — gets the same treatment: careful diagnosis, honest advice, and repairs done right.
We started Patchbay because we believe a good synthesizer shouldn't die of old age. These machines are more than circuits and sliders — they're the sound of records you grew up with, and the reason some of us got into music in the first place. Every one we fix goes back out into the world ready to make more.
Between us we handle everything from recapping and calibration to keybed work and the hunt for parts nobody has made in decades. It's slow, meticulous work, and we like it that way. If something in your collection hums, crackles, or refuses to turn on, bring it in — we'll see what we can do.





