Qwen3.8 Max (0902) vs Kimi K3
Qwen3.8 Max (0902) took 77 min 11 s and $1.20 at list price, Kimi K3 took 22 min 52 s and $1.92 at list price. Qwen3.8 Max (0902) took 3.4× as long, and Kimi K3 cost 1.6× as much.
Qwen3.8 Max (0902)
Alibaba · $6/M out · 3 HN pts
Kimi K3
Moonshot AI · $15/M out · 9,870 HN pts
Pelican
Generate an SVG of a pelican riding a bicycle
Watch
Draw a mechanical wristwatch that shows the current local time, with a sweeping seconds hand and a date window. Make it look expensive.
Landing
Build the landing page for Lumen Cycles, a Copenhagen workshop that builds custom cargo bikes to order. Make it look like a real brand you would trust with 4,000 euros.
Breakout
Make a Breakout game I can play right now with the keyboard or the mouse. Give it several levels, a score and some juice.
Logo
Design a logo for Night Heron, an independent bookshop that only opens after dark.
About
Write the opening of the About us page for Patchbay, a three-person studio in Rotterdam that repairs vintage synthesizers. About 150 words.
Patchbay is a small repair studio in Rotterdam dedicated to vintage synthesizers. We are three people who care about old instruments, their history, and the players who keep them alive. From classic analog polys to rare drum machines, we take the time to understand each machine before we touch it. Our work is practical and respectful: careful diagnosis, honest advice, and repairs that preserve the character of the instrument. We know these synths are more than circuits and knobs. They carry stories from studios, stages, and secondhand shops, and they deserve to be treated with patience. Whether a machine needs a simple clean, a full restoration, or help finding a hard-to-source part, we aim to make the process clear and personal from start to finish. Based in Rotterdam, we help musicians, collectors, and studios keep old synthesizers making sound for years to come. We do it with patience and respect.
Patchbay is a small workshop in Rotterdam where old synthesizers come back to life. We are three people — a former recording engineer, a self-taught circuit obsessive, and a classically trained pianist who fell in love with broken machines — and between us we have spent decades coaxing sound out of equipment the rest of the world gave up on.
We started Patchbay because we kept meeting the same problem: beloved instruments sitting silent in attics and studio corners, written off as unfixable. A Juno with a dead voice chip. A Prophet that drifts out of tune. A Moog that hums when it shouldn't. To us, none of these are lost causes. They are instruments with history in them, and they deserve careful hands, original parts where possible, and honest work.
Every synth that leaves our bench is played, tested, and listened to — because that is what it was made for.