GPT-6.1 Sol vs Claude Sonnet 5.5
GPT-6.1 Sol
OpenAI · $10/M out · 1,164 HN pts
Claude Sonnet 5.5
Anthropic · $10/M out · 8 HN pts
Only Claude Sonnet 5.5 has CLI runs here (Claude Code).
Pelican
Generate an SVG of a pelican riding a bicycle
Watch
Draw a mechanical wristwatch that shows the current local time, with a sweeping seconds hand and a date window. Make it look expensive.
Landing
Build the landing page for Lumen Cycles, a Copenhagen workshop that builds custom cargo bikes to order. Make it look like a real brand you would trust with 4,000 euros.
Breakout
Make a Breakout game I can play right now with the keyboard or the mouse. Give it several levels, a score and some juice.
Logo
Design a logo for Night Heron, an independent bookshop that only opens after dark.
About
Write the opening of the About us page for Patchbay, a three-person studio in Rotterdam that repairs vintage synthesizers. About 150 words.
Patchbay is a three-person studio in Rotterdam, keeping vintage synthesizers in working hands. We repair the instruments that have picked up a crackle, lost a voice, drifted out of tune, or stopped making sound altogether.
We like the patient side of repair: tracing a fault, understanding an old circuit, and finding the right fix rather than the quickest workaround. Our aim is to make each instrument dependable without sanding away the character that made someone fall for it in the first place.
Some synths arrive with a clear problem. Others come with a story and a noise that only happens after twenty minutes. Either way, the work starts with listening—to the instrument and to the person who plays it.
We’re a small studio by choice. It keeps us close to the work, and to the musicians who trust us with something they want to keep making music with.
Patchbay is three people in a workshop in Rotterdam, trying to keep old synthesizers alive. We repair, restore and recalibrate the instruments that shaped electronic music: Moogs and Oberheims, Rolands and Sequential Circuits, the odd temperamental Soviet oddity that someone found in an attic.
Most of what lands on our benches has been silent for years. A crackling pot, a drifting oscillator, a power supply that gave up in 1994. Some come from working musicians who need their instrument back before the next tour. Others come from people who inherited a dusty box from a parent and want to hear what it sounds like.
We work slowly and by hand. We trace faults with a scope and a schematic, source or rebuild parts when originals are gone, and change as little as we can. Every synth leaves with a note describing exactly what we did, so the next person to open it knows where we have been.
Come by, bring your synth, and stay for coffee.





