GPT-6.1 Terra Pro vs Grok 4.7
GPT-6.1 Terra Pro took 6 min 58 s and $0.39 at list price, Grok 4.7 took 18 min 1 s and $0.63 at list price. Grok 4.7 took 2.6× as long and cost 1.6× as much.
GPT-6.1 Terra Pro
OpenAI · $5/M out · 0 HN pts
Grok 4.7
xAI · $6/M out · 629 HN pts
Pelican
Generate an SVG of a pelican riding a bicycle
Watch
Draw a mechanical wristwatch that shows the current local time, with a sweeping seconds hand and a date window. Make it look expensive.
Landing
Build the landing page for Lumen Cycles, a Copenhagen workshop that builds custom cargo bikes to order. Make it look like a real brand you would trust with 4,000 euros.
Breakout
Make a Breakout game I can play right now with the keyboard or the mouse. Give it several levels, a score and some juice.
Logo
Design a logo for Night Heron, an independent bookshop that only opens after dark.
About
Write the opening of the About us page for Patchbay, a three-person studio in Rotterdam that repairs vintage synthesizers. About 150 words.
Patchbay is a three-person studio in Rotterdam dedicated to repairing vintage synthesizers. We work on the instruments that have shaped decades of music, from well-loved studio staples to curious machines that have spent years in storage.
Old synthesizers develop problems in their own ways. A key stops responding, a filter drifts, a power supply gives out. We take the time to trace the fault, understand the instrument and make a repair that respects how it was built. Wherever possible, we preserve original components; when a part needs replacing, we choose with care.
We know these instruments are more than collections of circuits. They carry sounds, habits and memories, and each one has a story before it reaches our bench. Whether you rely on yours every day or are hoping to hear it again after a long silence, our aim is to help you get back to making music.
Patchbay is a three-person studio in Rotterdam devoted to the repair of vintage synthesizers. We work on instruments that have already lived a long life on stages, in studios, and in spare rooms, and we treat each one as something worth keeping rather than replacing. Our benches are set up for careful diagnosis, component-level repair, and the slow work of bringing an old circuit back into reliable use.
The three of us share the shop, the tools, and the jobs. One person may trace a failing voice while another sources a part or recalibrates an oscillator; we pass instruments between us until the sound is right and the hardware is stable. Clients come to us with analog polys, early digital machines, drum boxes, and the odd modular that has been patched and repatched for decades. We listen first, then open the case.
We are not a museum and we are not a showroom. Patchbay exists so that working musicians, collectors, and curious owners in Rotterdam and beyond can keep playing the instruments they already love.