MiMo v2.6 Pro vs Kimi K3
MiMo v2.6 Pro took 36 min 46 s and $0.12 at list price, Kimi K3 took 22 min 52 s and $1.92 at list price. MiMo v2.6 Pro took 1.6× as long, and Kimi K3 cost 16× as much.
MiMo v2.6 Pro
Xiaomi · $0.87/M out · 169 HN pts
Kimi K3
Moonshot AI · $15/M out · 9,870 HN pts
Pelican
Generate an SVG of a pelican riding a bicycle
Watch
Draw a mechanical wristwatch that shows the current local time, with a sweeping seconds hand and a date window. Make it look expensive.
Landing
Build the landing page for Lumen Cycles, a Copenhagen workshop that builds custom cargo bikes to order. Make it look like a real brand you would trust with 4,000 euros.
Breakout
Make a Breakout game I can play right now with the keyboard or the mouse. Give it several levels, a score and some juice.
Logo
Design a logo for Night Heron, an independent bookshop that only opens after dark.
About
Write the opening of the About us page for Patchbay, a three-person studio in Rotterdam that repairs vintage synthesizers. About 150 words.
Patchbay is a three-person studio in Rotterdam dedicated to the repair and restoration of vintage synthesizers. We spend our days with soldering irons and oscilloscopes, coaxing life back into instruments that were built to last and mostly did, until they didn't.
Between us we cover decades of combined experience with analog and early digital circuitry, from the classics of Roland, Korg, Moog, and ARP to the odd, wonderful machines that never made it big. We treat every repair with the same care, whether it's a flagship polysynth or a broken drum machine with a devoted following.
Our workshop sits in the west of the city. You're welcome to visit — bring the instrument, bring the story behind it. We like hearing both.
What we don't know we research, and what we can't source we sometimes fabricate. Nothing gets written off before we've tried.
Patchbay is a small workshop in Rotterdam where old synthesizers come back to life. We are three people — a former recording engineer, a self-taught circuit obsessive, and a classically trained pianist who fell in love with broken machines — and between us we have spent decades coaxing sound out of equipment the rest of the world gave up on.
We started Patchbay because we kept meeting the same problem: beloved instruments sitting silent in attics and studio corners, written off as unfixable. A Juno with a dead voice chip. A Prophet that drifts out of tune. A Moog that hums when it shouldn't. To us, none of these are lost causes. They are instruments with history in them, and they deserve careful hands, original parts where possible, and honest work.
Every synth that leaves our bench is played, tested, and listened to — because that is what it was made for.