Muse Spark Open vs GLM 5.3
Muse Spark Open took 9 min 38 s and $0.29 at list price, GLM 5.3 took 22 min 22 s and $0.87 at list price. GLM 5.3 took 2.3× as long and cost 3.0× as much.
Muse Spark Open
Meta · $4.25/M out · 1,383 HN pts
GLM 5.3
Z.ai · $3.6/M out · 3,306 HN pts
Pelican
Generate an SVG of a pelican riding a bicycle
Watch
Draw a mechanical wristwatch that shows the current local time, with a sweeping seconds hand and a date window. Make it look expensive.
Landing
Build the landing page for Lumen Cycles, a Copenhagen workshop that builds custom cargo bikes to order. Make it look like a real brand you would trust with 4,000 euros.
Breakout
Make a Breakout game I can play right now with the keyboard or the mouse. Give it several levels, a score and some juice.
Logo
Design a logo for Night Heron, an independent bookshop that only opens after dark.
About
Write the opening of the About us page for Patchbay, a three-person studio in Rotterdam that repairs vintage synthesizers. About 150 words.
Patchbay is a small studio in Rotterdam where vintage synthesizers come back to life. We are three technicians, musicians and longtime collectors who have spent the last decade trading schematics, hunting spare parts, and learning the quirks of every oscillator and filter that has passed through our hands.
What started as helping friends keep their Junos and ARPs in tune has grown into a dedicated workshop in the north of the city. We repair, restore and service instruments from the sixties to the early nineties, from well-known classics to rare prototypes that barely left the factory.
We believe these machines are more than equipment. They carry histories, imperfections and sounds that cannot be replaced. Our job is to respect that character while making sure each instrument is reliable, playable, and ready for another lifetime of music.
Patchbay is a three-person workshop in Rotterdam where vintage synthesizers come back to life. Whatever lands on our bench — a battered Minimoog, a Juno with dead keys, an ARP silent since the eighties — gets the same treatment: careful diagnosis, honest advice, and repairs done right.
We started Patchbay because we believe a good synthesizer shouldn't die of old age. These machines are more than circuits and sliders — they're the sound of records you grew up with, and the reason some of us got into music in the first place. Every one we fix goes back out into the world ready to make more.
Between us we handle everything from recapping and calibration to keybed work and the hunt for parts nobody has made in decades. It's slow, meticulous work, and we like it that way. If something in your collection hums, crackles, or refuses to turn on, bring it in — we'll see what we can do.





