Muse Spark Open vs Kimi K3
Muse Spark Open took 9 min 38 s and $0.29 at list price, Kimi K3 took 22 min 52 s and $1.92 at list price. Kimi K3 took 2.4× as long and cost 6.7× as much.
Muse Spark Open
Meta · $4.25/M out · 1,383 HN pts
Kimi K3
Moonshot AI · $15/M out · 9,870 HN pts
Pelican
Generate an SVG of a pelican riding a bicycle
Watch
Draw a mechanical wristwatch that shows the current local time, with a sweeping seconds hand and a date window. Make it look expensive.
Landing
Build the landing page for Lumen Cycles, a Copenhagen workshop that builds custom cargo bikes to order. Make it look like a real brand you would trust with 4,000 euros.
Breakout
Make a Breakout game I can play right now with the keyboard or the mouse. Give it several levels, a score and some juice.
Logo
Design a logo for Night Heron, an independent bookshop that only opens after dark.
About
Write the opening of the About us page for Patchbay, a three-person studio in Rotterdam that repairs vintage synthesizers. About 150 words.
Patchbay is a small studio in Rotterdam where vintage synthesizers come back to life. We are three technicians, musicians and longtime collectors who have spent the last decade trading schematics, hunting spare parts, and learning the quirks of every oscillator and filter that has passed through our hands.
What started as helping friends keep their Junos and ARPs in tune has grown into a dedicated workshop in the north of the city. We repair, restore and service instruments from the sixties to the early nineties, from well-known classics to rare prototypes that barely left the factory.
We believe these machines are more than equipment. They carry histories, imperfections and sounds that cannot be replaced. Our job is to respect that character while making sure each instrument is reliable, playable, and ready for another lifetime of music.
Patchbay is a small workshop in Rotterdam where old synthesizers come back to life. We are three people — a former recording engineer, a self-taught circuit obsessive, and a classically trained pianist who fell in love with broken machines — and between us we have spent decades coaxing sound out of equipment the rest of the world gave up on.
We started Patchbay because we kept meeting the same problem: beloved instruments sitting silent in attics and studio corners, written off as unfixable. A Juno with a dead voice chip. A Prophet that drifts out of tune. A Moog that hums when it shouldn't. To us, none of these are lost causes. They are instruments with history in them, and they deserve careful hands, original parts where possible, and honest work.
Every synth that leaves our bench is played, tested, and listened to — because that is what it was made for.





