Muse Spark Open vs Grok 4.7
Muse Spark Open took 9 min 38 s and $0.29 at list price, Grok 4.7 took 18 min 1 s and $0.63 at list price. Grok 4.7 took 1.9× as long and cost 2.2× as much.
Muse Spark Open
Meta · $4.25/M out · 1,383 HN pts
Grok 4.7
xAI · $6/M out · 629 HN pts
Pelican
Generate an SVG of a pelican riding a bicycle
Watch
Draw a mechanical wristwatch that shows the current local time, with a sweeping seconds hand and a date window. Make it look expensive.
Landing
Build the landing page for Lumen Cycles, a Copenhagen workshop that builds custom cargo bikes to order. Make it look like a real brand you would trust with 4,000 euros.
Breakout
Make a Breakout game I can play right now with the keyboard or the mouse. Give it several levels, a score and some juice.
Logo
Design a logo for Night Heron, an independent bookshop that only opens after dark.
About
Write the opening of the About us page for Patchbay, a three-person studio in Rotterdam that repairs vintage synthesizers. About 150 words.
Patchbay is a small studio in Rotterdam where vintage synthesizers come back to life. We are three technicians, musicians and longtime collectors who have spent the last decade trading schematics, hunting spare parts, and learning the quirks of every oscillator and filter that has passed through our hands.
What started as helping friends keep their Junos and ARPs in tune has grown into a dedicated workshop in the north of the city. We repair, restore and service instruments from the sixties to the early nineties, from well-known classics to rare prototypes that barely left the factory.
We believe these machines are more than equipment. They carry histories, imperfections and sounds that cannot be replaced. Our job is to respect that character while making sure each instrument is reliable, playable, and ready for another lifetime of music.
Patchbay is a three-person studio in Rotterdam devoted to the repair of vintage synthesizers. We work on instruments that have already lived a long life on stages, in studios, and in spare rooms, and we treat each one as something worth keeping rather than replacing. Our benches are set up for careful diagnosis, component-level repair, and the slow work of bringing an old circuit back into reliable use.
The three of us share the shop, the tools, and the jobs. One person may trace a failing voice while another sources a part or recalibrates an oscillator; we pass instruments between us until the sound is right and the hardware is stable. Clients come to us with analog polys, early digital machines, drum boxes, and the odd modular that has been patched and repatched for decades. We listen first, then open the case.
We are not a museum and we are not a showroom. Patchbay exists so that working musicians, collectors, and curious owners in Rotterdam and beyond can keep playing the instruments they already love.